Tenacity

Susan B. Anthony
Susan B. Anthony

“The most difficult thing is the decision to act, the rest is merely tenacity. The fears are paper tigers. You can do anything you decide to do. You can act to change and control your life; and the procedure, the process is its own reward.” ~ Amelia Earhart

Patience and tenacity are worth more than twice their weight of cleverness.” ~ Thomas Huxley

“Turning pro is a mindset. If we are struggling with fear, self-sabotage, procrastination, self-doubt, etc., the problem is, we’re thinking like amateurs. Amateurs don’t show up. Amateurs crap out. Amateurs let adversity defeat them. The pro thinks differently. He shows up, he does his work, he keeps on truckin’, no matter what.” ~ Steven Pressfield

People succeed not so much because they are smart, but because they don’t give up. There will always be the naysayers. The people who take cheap shots from the top row seats, but who are afraid to get down and do the work to make their own dreams come true. The winners never listen to them. They don’t complain, they find their way around obstacles. But one thing is sure, they keep moving forward no matter how slowly.

Now that I’m about to publish my first book after seven years of work, what have I learned?

One of the things I’ve learned is that the work feeds the work. When I made a commitment to work on my novel a little bit every day, more ideas came and soon I couldn’t wait to get up in the morning to begin working.

I’ve also learned that the work feeds the work only when you’ve found the RIGHT work for you. I was fifty-four years old when I found the right work for me. Yet no time was wasted while I was looking for my place in the world. Everything I’ve learned along the way contributes to what I now write.

Another important lesson has been that the time to be the most tenacious is when you’re stuck.

For five years I developed Morgan’s story in the past. It was the easier story to tell because I saw Morgan as distant from me. But eventually I was stuck. I couldn’t move on with her story until I wrote Jenna’s story in the present. I didn’t want to write Jenna’s story because much of what happens to her happened to me in different forms. I didn’t want to relive those tough times. But I learned something else that is vital for a writer, you can’t close the books on one part of your life until you’ve wrung out every bit of the lesson your soul desires to learn. As the character Pi in Life of Pi says of not saying goodbye to Richard Parker, the Bengal tiger he’s just crossed the Pacific Ocean with, “It’s important in life to conclude things properly. Only then can you let go. Otherwise you are left with words you should have said but never did, and your heart is heavy with remorse. That bungled goodbye hurts me to this day.” pg. 414

I don’t know if it’s this way for all writers, but for me, writing is the way I say the proper goodbyes. It’s the way I can reimagine or redefine what happened to me and put closure on those things that nag at my psyche, and my emotions.

One of the things Jenna suffers is being unjustly fired from her job, and then accused of embezzling money from the publishing company she worked for. I included that situation in my book because I lost a most beloved job teaching drama. I lost it unjustly. Years later one of my students told me that the story told by those who had engineered by dismissal was that I was let go because I had mishandled the drama club funds. It was a lie of course. In fact, the woman who handled the accounting for all the clubs had thanked me earlier that school year for making sure my accounts were accurate when I turned them in.

I used Jenna’s situation as a way to put some closure on my own story. In The Space Between Time, the lie was exposed and the perpetrators were tried and found guilty of not just one embezzlement scheme but of many. I used Jenna’s predicament as a way to get that negative energy out of my body. I didn’t want it to continue to rumble around in my head and heart.

Will the truth ever be revealed about that situation? I don’t know, nor do I care. I’ve had a chance to tell my story the way I wish it had happened and that helped me forgive my accusers once and for all.

Maybe the naysayers will be right. Maybe my book won’t sell no matter how hard I market and promote it. But I still have the advantage over them. I created something and if I did it once, I can do it again and again. One day there will be people who appreciate what I’ve written. I’d rather be working on something I love than dying in anguish and desperation doing work that I hate.

Thanks for reading. Feel free to leave a comment or share with a friend.

Lucinda Sage-Midgorden @ 2017

Another Sample from The Space Between Time

Civil War Woman
Civil War Woman

“Happiness is having a large, loving, caring, close-knit family in another city.” ~ George Burns

“You gain strength, courage, and confidence by every experience in which you really stop to look fear in the face. You are able to say to yourself, ‘I lived through this horror. I can take the next thing that comes along.” ~ Eleanor Roosevelt

This week I thought you might like to read a section from early in Morgan’s story in the past from my soon to be published novel, The Space Between Time. This segment takes place in the past. Morgan is Jenna’s three-times great-grandmother and upon finding Morgan’s journals, Jenna sat down to read. When she did she entered Morgan’s consciousness. This scene takes place on the day of Morgan’s father’s funeral.

At that moment, her Aunt Veronica opened the sliding doors and stood glaring at her. Morgan’s heart took a little summer salt but seeing her aunt’s face cemented her resolve. She stood up, straightened her spine and stepped past her aunt. Jenna’s panic drained away as Morgan relaxed her face so that no emotion showed at all while staring into her aunt’s cold eyes. While neither woman spoke, Jenna felt the vast difference between the woman standing in front of them, and Morgan’s mother Julia.

Gold, silver and shimmering diamond described Veronica. She was a handsome woman, but cold, ambitious, and hard-hearted. Morgan’s mother Julia, on the other hand, had been made of different colors, pink, green, and lavender. She had been a loving, open minded, and caring woman.

Veronica closed the sliding doors and said with malice, “So, you and your father decided to deceive me. How do you think this will look when my friends back in Boston hear that you did not inform me of Thomas illness? Don’t you think I had a right to know? After all, I am family.”

A shiver ran down Morgan’s spine but she suppressed it. “Father wanted us to be left in peace, to spend what time we had together uninterrupted by fussing nurses, which you no doubt would have insisted upon.”

Veronica sniffed. “Your father never knew what was best for you. I’m sure he did this to spite me because I wanted to take you away and give you every advantage he couldn’t.”

Jenna shuddered as Morgan crossed the room and stood in front of her aunt. “Aunt Veronica, father was a good and kind man who loved me very deeply. He knew that I would be just another bobble for you to polish and have admired.”

At this statement Veronica bristled and lost control of herself. “Morgan, you are too independent by half. I see now that your father has taught you too much and not had a thought for your future. If he had cared about you, he never would have raised you to think like a man nor would he have involved you in this underground railroad nonsense.”

Morgan gasped. How had her aunt found out about that? But her part was small. Other members of the congregation had larger roles in helping escaped slaves cross the border to freedom.

A malicious smile spread across Veronica’s face. “Ah, you’re surprised I knew about that. Your father exposed you to filthy, shiftless slaves who ran away shirking their duty to their masters. Any number of terrible things could have happened to you because of your father’s thoughtlessness. I intend to change your foolish notions by taking you back to Boston with me and see that you marry the right sort of man. I will brook no refusals. You’re not getting any younger, you know. Go upstairs this instant and pack your things. We’re leaving on the evening train.”

Deep calm swept over Morgan. Ignoring the old argument, she spoke softly. “No, Aunt Veronica. I am not going with you.”

I hope you enjoyed this little segment. You can join my mailing list here if you are interested in receiving notification on this and other of my creative projects.

Thanks for reading. Feel free to leave a comment or share with a friend.

Lucinda Sage-Midgorden © 2017

The Space Between Time Sample #1

A Woman
A Woman

“Words are singularly the most powerful force available to humanity. We can choose to use this force constructively with words of encouragement, or destructively using words of despair. Words have energy and power with the ability to help, to heal, to hinder, to hurt, to harm, to humiliate, and to humble.” ~ Yehuda Berg

“And it’s human need to be told stories. The more we’re governed by idiots and have no control over our destinies, the more we need to tell stories to each other about who we are, why we are, where we come from, and what might be possible.” ~ Alan Rickman

Since I’m getting close to publishing my first novel The Space Between Time, I thought I’d share a scene from the book.

This is scene with Jenna in the present.

Sitting in the chair in front of Jenna’s desk Joan said, “Hey, are you all right? You look like your dog just died.”

Jenna took in a deep breath, needles pricking her heart. “Sam walked out this morning.”

“Oh man. That S.O.B. Did he say why?”

Jenna rolled her eyes. “The usual crap, ‘It hasn’t been working for a long time.’ Oh, and he got a promotion and he’s moving to L.A.”

Joan clasped her hands. “Well, good riddance. You were thinking of ending it anyway. Now you can move on.”

Wiping away a tear, Jenna said, “Yeah, but when it finally happens, it’s still a shock. And as usual I blame myself.”

Joan got up and walked around to sit on the edge of the desk closest to Jenna. “Oh, sweetie, just because he wasn’t the right guy doesn’t mean there’s anything wrong with you.”

Jenna took Joan’s hand and gave it a little squeeze. “Keep telling me that until I believe it will you?”

Joan squeezed her hand back. “I’ll take you to lunch and we can talk, okay?”

“That’d be great. Thanks. We better get to work. I don’t want to lose my job too.”

Standing up, Joan said, “Okay. We’ll go to Chin Yen’s and boil him in oil.”

Jenna laughed. At the door Joan said, “Still haven’t heard anything about your promotion?”

“Not yet.” Just then Jenna’s phone rang. They both jumped.

Joan said, “Maybe this is it.”

Jenna cleared her throat. “Jenna Holden.”

A female voice on the other end of the line said, “Miss Holden, this is Officer Parker from the Roseburg PD.”

“Yes. What can I do for you?” She looked at Joan and shook her head. Joan waited to find out who was on the phone.

“I’m sorry to tell you that your mother’s been in a car accident. Can you come as quickly as possible? She’s just gone by ambulance to Mercy Medical Center.”

Trying to make sense of what the officer had said, she felt the blood drain from her face as she looked up at Joan. “What? What did you say?”

“You’re mother has been in a serious accident. You need to come right away.”

The room began to spin. “No. It can’t be. Oh, God in heaven, Mom.”

The officer said, “I’m so sorry Miss Holden.” her voice was so kind that Jenna nearly lost her composure. “Can you drive yourself here? Or is there someone who can drive for you?”

“What? No.”

“I’m sorry, what do you mean? Do you want us to arrange for a State Policeman to drive you down?”

Closing her eyes and taking a deep breath to help herself think, Jenna said, “Um. No, I’ve got my car here. I can drive myself.” First Sam, now this! Jenna looked at Joan who had a concerned look on her face while she waited to hear what new disaster was unfolding.

The officer was saying something. “… All right?”

“Thank you. I’ll leave as soon as I can.”

“I’ll let the hospital know you’re on your way. Again, I’m sorry to be delivering such bad news.”

Jenna couldn’t say anything more. The phone beeped three times indicating the officer had rung off.

Joan’s voice floated into Jenna’s consciousness. “What is it?”

“It’s Mom. She’s been in a terrible accident.”

Joan knelt down next to Jenna “Oh, man! I’m so sorry and on top of Sam walking out. Do you want me to go with you?”

Clenching her jaw with determination, she said, “No. I’ll call you when I know something.”

I hope you enjoyed this little segment from, The Space Between Time. Thanks for reading. Feel free to leave a comment.

Lucinda Sage-Midgorden © 2017

The Work of Writing

Kate Chase by Brady-Handy
Kate Chase by Brady-Handy

“One of the most tragic things I know about human nature is that all of us tend to put off living. We are all dreaming of some magical rose garden over the horizon instead of enjoying the roses that are blooming outside our windows today.” ~ Dale Carnegie

“Creativity is merely a plus name for regular activity. Any activity becomes creative when the doer cares about doing it right, or better.” ~ John Updike

So, how does a writer get ideas? Last week I told about how I got my idea for my soon to be published novel, The Space Between Time after a weekend with my mom and dad. When I began writing, the storyline that was most vivid to me was the father-daughter relationship in the past. I wanted to link Morgan to someone in the present but I couldn’t figure out how to do it. Then I had to set the story aside. When I picked the book up again years later, I was still baffled about how to link Morgan to someone from the present time period. By then, though, I was able to trust that one day the answer would come so I continued to flesh out Morgan’s story.

Perhaps I should write here that I did not create a plot outline before I began writing. I just sat down and let the ideas flow until they stopped and then I’d go do something else while the story simmered on the back burner of my mind. It often happens that the best ideas come to me in that netherworld between sleeping and waking. But there came a point when I was was stuck. I knew the story needed something, but I didn’t know what. Though I was frustrated, I trusted that if I was patient the answer would come and it did some weeks later at a writer’s group meeting.

A local writer came to speak to our group. He asked each of us to tell what we were working on. When my turn came, he commented that it might be nice to have a character in the present somehow linked to the storyline in the past. Of course, I told him that had been my original idea but that I had not been able to figure out how to do it. That storyline wasn’t alive for me yet. But it occurred to me that I was stalled on Morgan’s story because I needed that other timeline. So on the drive home I let my mind wander about how to use a character in the present to finish my book. Miracles do happen because on the drive home the idea came. The woman in the present would find her three-times great-grandmother’s journals, and that’s how Jenna was born.

Though I was jazzed about writing Jenna’s story, it was the most difficult. Many of the things that happen to her are altered versions of events in my own life. I didn’t want to go back to those dark emotions much less put them down on paper. So in the first drafts, I glossed over the pain Jenna feels. I tried to rush her to healing before she was ready. And that’s why I had to be open to allowing people to critique my work. It’s scary. I often felt angry, or stupid and ripped apart after hearing my friends comments. For a short time I wondered if I should continue working on the book at all.

But through that process I learned that I had to be careful who I trusted with my manuscript. There are people who will rip you and your work apart just because they like to see you squirm, or they’re jealous, or they wish their work was as good. I encountered a person like that. However, I was fortunate to find one writer friend who was compassionate, yet firm. She encouraged me to keep writing and told me that the story was worthwhile. Yet she pushed me to let my characters get beat up by events and go to dark places so that in the end what they learned would mean more to the reader. As hard as it was to hear some of her comments, I knew she was on my side and after each read through, I felt energized to get busy on the next draft.

In the end The Space Between Time has become a story of two women, linked by blood but separated by time, who experience life shattering events. They must find ways to rebuild their lives. When Jenna finds the journals, she enters Morgan’s consciousness and through their link they help each other heal and discover who they really are. They each find their true life’s purpose.

More on the story in a later post.

If you’d like to join my mailing list to get updates about this and subsequent books, you can join here.

Thanks for reading. Welcome to my new followers.

Lucinda Sage-Midgorden © 2017

My Writing Life

Dad and me on Easter Sunday
Dad and me on Easter Sunday

“There is no greater agony than bearing an untold story inside you.” ~ Maya Angelou

“You must stay drunk on writing so reality cannot destroy you.” ~ Ray Bradbury

“You have to write the book that wants to be written. And if the book will be too difficult for grown-ups, then you write it for children.” ~ Madeleine L’Engle

“Lock up your libraries if you like; but there is no gate, no lock, no bolt that you can set upon the freedom of my mind.” ~ Virginia Woolf

“We write to taste life twice, in the moment and in retrospect.” ~ Anais Nin

“An artist’s job is to make us feel less alone.” ~ Viola Davis

“I always wrote. I wrote from when I was 12. That was therapeutic for me in those days. I wrote things to get them out of feeling them, and onto paper. So writing in a way saved me, kept me company.” ~ Carrie Fisher

As you might surmise from the various quotes above, I’m having difficulty pinning down what I want to express about my writing life. It’s a most profound privilege to wake up every morning and try to grasp those wispy thoughts and feelings that are demanding to be expressed. But they’re capricious; they like to be chased. They run and hide until I catch their shirt tails and drag them out into the open.

I’ve always had lots to say, even though most of my life I kept my thoughts and feelings to myself. During one very short period in my life, I ventured to share what I had been feeling on an empathetic level, but that hadn’t gone so well, so I retreated and kept quiet. But I met people who told me I had a facility for writing, and what they said planted seeds. It took them a long time to grow, but finally one day I gained enough self-confidence to allow myself to begin to express what had been dammed up for so long.

In almost any story no matter how it’s told, there is always an inciting incident that begins the main character’s journey. My inciting incident was a visit to my parents in 1998 or 1999. My father had been living with heart disease for many years and something about his manner, or the way he talked that weekend, gave me the clue that he was on the downward path toward his eventual death. I was stunned. My dad was my mentor. What would I do without him? It was then the beginnings of The Space Between Time, came flitting through my consciousness. I began work on the book the day after our return home. All I had at that time was Morgan’s story, though her name was Anna in those early drafts.

I was a substitute teacher at the time, and shortly after I began working on the book, I was given first one, then two more long term substitute teaching assignments. Those led me to get my Master’s degree in Education and becoming a full-time teacher. If you’re a teacher you know that there is little time for anything other than your job. But the way I felt about my relationship with my father and the story I wanted to tell about the close relationship between Morgan and her father never left me. In fact I thought a great deal about those two characters. It was as if the story was simmering on the back burner of my mind.

Skip ahead ten years. My father had died in 2004. I missed him terribly, but his influence and love for me continued to guide me. A lot had happened by then. I was forced out of my position teaching drama in one school district and began teaching English in another. In some ways my life had been shattered. In others I was discovering talents I had not known I possessed. Then one day I knew that what others had told me was true. I could be a good writer, and I had lots I wanted to say.

I didn’t go back to my novel when I first began writing full-time. But when I did, it felt right. Every morning I was excited to get to work. I won’t lie and say that it has been easy. There were stretches of weeks when I had no idea how to get from point A to point B in my story, or when I fought writing the raw emotions that the characters were experiencing. I wanted my main characters to learn their lessons without going through the pain and suffering I had gone through because I didn’t want to drag myself through the muck again.

Thank heaven for good friends who kept pushing me to “beat up” my characters. Finally my resistance crumbled, and I made the connection between the satisfaction we feel at the end of a good story, and the main characters overcoming frightening and/or tragic obstacles to win or grow. We can’t skip to the end and be healed in life or in literature. I’ve started work on a sequel novel and a fantasy story and this time I’ll be looking for the best trials and tribulations to get the characters to their eventual transformations.

Next week, I’ll give you a little glimpse into the story of Jenna and her three-times great-grandmother, Morgan and how I came up with the idea to intertwine the two timelines.

If you would like to join my mailing list and get updates on the publication of my books, and new installments to my video series, “Loving Literature”, here is the link.

Welcome to my new followers and thanks for reading. Feel free to leave a comment or share this post.

Lucinda Sage-Midgorden © 2017