Snippet #2 The Space Between Time

August Sunset
August Sunset

No quotes today since this post is long.

Today I’ll share a segment from Chapter 4 of The Space BetweenTime, the novel I’m currently working on. Jenna has merged with Morgan’s consciousness a second time. It is early spring, 1859. This is the day of Morgan’s father, Thomas’, funeral. In this scene, Morgan is facing her Aunt Veronica who has always tried to control her life. Now that Morgan is an orphan, her aunt thinks she can gain the upper hand once and for all but Morgan stands up to her.

For those who didn’t get to read last week’s segment, Jenna has found Morgan’s journals and when she reads, she merges with Morgan’s consciousness.

“So, you and your father decided to deceive me,” Veronica said with malice. “How do you think this will look when my friends back in Boston hear that you did not tell me of Thomas illness? Don’t you think I had a right to know? After all, I am family.”

Morgan felt a shiver run down her spine. Jenna understood very well how she felt. It had been the same for her when interacting with Fletcher and Mr. Dayton, but they weren’t family, and she didn’t have to associate with them any longer.

Morgan squared her shoulders. “Father wanted to be left in peace. He and I wanted to spend what time we had together uninterrupted by fussing nurses, which you no doubt would have insisted upon. We didn’t want that.”

“Your father never knew what was best for you. I’m sure he did this to spite me because I wanted to take you away when your mother died to give you every advantage he couldn’t.”

“Aunt Veronica, father was a good and kind man who loved me very deeply. He knew that I’d be just another bobble for you to polish and have admired as your crowning achievement.”

At this statement Veronica bristled and lost control of herself. “Morgan, you are too independent by half. I see now that your father has taught you too much and not had a thought for your future. If he’d cared about you, he never would have raised you to think like a man nor would he have involved you in this underground railroad nonsense.”

Morgan gasped. How had her aunt found out about that?

A malicious smile spread across Veronica’s face. “Ah, you’re surprised I knew about that. Your father exposed you to filthy, shiftless slaves who ran away shirking their duty to their masters. Any number of terrible things could have happened to you because of your father’s thoughtlessness. I intend to change your foolish notions by taking you back to Boston with me and see that you’re properly looked after by marrying the right sort of man. I will brook no refusals. You’re not getting any younger, you know. Go upstairs this instant and pack your things. We’re leaving on the evening train.”

Deep calm swept over Morgan, as she spoke softly to her aunt. “No, Aunt Veronica. I am not going with you.”

“How dare you refuse! You have no other relatives and no money to support yourself. No one to protect you if you get caught helping slaves. You must do as I say.”

“You’re wrong. Father has saved some money and there is also the money left me by mother. There is quite enough for me to live on until I decide how to support myself. If you don’t believe me, I can send for Mr. Bachman, father’s lawyer. He’s staying at the hotel.” Morgan stood looking at her aunt in defiance with an emotionless face waiting for her aunt’s reply. Emma, Mrs. Waller and Mrs. Carlsen came into the hallway to lend their support, though once they got there they realized they weren’t needed.

Veronica’s mouth was gaping open uncharacteristically. She’d thought it’d be easy to manipulate Morgan into doing as she dictated. She hadn’t made a plan for Morgan’s removal except to order her to pack her things and get her to Boston as quickly as possible.

She looked over and saw the three women stepping forward behind Morgan. “This is a family matter, ladies,” she said with a snarl of derision accompanied by the most withering look she could muster.

Mrs. Carlsen, who had not grown up in Rutland, broke the strained silence. “Mrs. Alistair, I’m new here, but I can tell you, you’ll not find anyone to take your side. If you try to force Morgan to go with you, we’ll stand in your way. We love her, as it is obvious you do not. She’s of age and will remain here to make up her own mind about her future.”

Just then there was a knock on the door. Emma went to answer it. When she came back, Dr. Waller, Mr. Bachman and Reverend Carlsen were with her.

Mr. Bachman, a short, portly, middle aged, well dressed gentleman, stepped forward. “Hello Madam. I’m Mr. Gregor Bachman, Mr. Carlyle’s lawyer. I’m very pleased to meet you. Your husband is quite well thought of in Boston.” He came forward extending his hand. Veronica looked at it as if it were a snake coiling in the grass. Mr. Bachman went on as if the snub had not happened. “I’ve got Mr. Carlyle’s will here. He wanted me to read it in your presence as you are mentioned. Shall we sit down?” He extended his hand to the sofa. Veronica, too dumbfounded to object, took the few steps to the sofa and plopped down as her knees gave out. “Please everyone, gather around. Reverend Carlyle wanted you all to be here.” Dr. Waller and Reverend Carlsen brought chairs from the kitchen table. Morgan sat in her father’s chair with Emma by her side. Mrs. Waller sat in a chair provided by her husband as did Mrs. Carlsen. The two men remained standing. Mr. Bachman took up a place near the table, opening his briefcase. He withdrew the will, which was backed with blue paper, and sat next to Morgan in what had been her chair. No one sat near Veronica.

“The will is short and to the point.” Clearing his throat, Mr. Bachman read, “I, Thomas Wendell Carlyle, being of sound mind, do hereby bequeath to my dear friend Dr. Joseph Waller the chess set that he so admired as we often played together. Thank you Joseph for sharing your wisdom with me over the years. I also bequeath the sum of $100.00 to you, Joseph …” Veronica took in a quick breath, which no one acknowledged, while Mr. Bachman continued on without missing a beat, “for you do not charge enough, and can use the money to support your family. To Reverend Martin Carlsen, I leave my concordance and other books pertaining to biblical criticism and church ministry. I also leave you the sum of $50.00 for the support of your family. In the few short months you’ve been here, I’ve seen that you are a wise man. You have given me good counsel. I know the congregation is in good hands. To Miss Emma Martell, I leave the cameo brooch that belonged to my dear wife. On her death bed she asked me to give it to you on your wedding day. Since I won’t be able to give it then, I leave it for you now. She said you had admired it, and since Morgan did not have an affinity for it herself, she wanted to give it to you, Morgan’s dear and devoted friend.

“To my dearest daughter Morgan Angela Carlyle, I leave all monies in my savings account, the rights to all the books I’ve written, and any future royalties they shall receive. I also leave you the remainder of my books, furniture, household goods, and the jewelry left by your mother upon her passing. In addition, I leave the small amount of money she left for you upon her death. Words can not say how much I have cherished being your father. I’ve watched you grow in wisdom and beauty. You are an intelligent and loving woman. I leave these things with all my love.

“Finally, to Veronica Masters Alistair, I leave you the rope of pearls left to my dear wife by your mother upon her death. The rope of pearls you wanted so desperately that you cut off all relations with my wife, your sister, because your mother did not give them to you. The pearls are yours now. I have taken legal steps to insure that you will not get anything else, nor be able to interfere with Morgan’s future. Take the pearls, and may they make you as happy as you thought possessing them would. Signed this day, December 30, 1858.”

Mr. Bachman folded the will and slowly placed it in its envelope and gave it to Morgan. No one moved, each alone with his or her thoughts. After a few moments. Veronica rose, breaking the spell and said with venom dripping from every word, “This is not over. You are a young single woman. You can’t inherit any amount of money. I’ll be back with my attorney.” She looked at Morgan with a cold stare and walked out of the room to get her own hat, coat and gloves. A moment later the door slammed shaking the windows.

Again, this is a work in progress. I hope you have enjoyed reading another small section of my novel. Feel free to leave a comment or share with a friend.

Lucinda Sage-MIdgorden © 2015

First Snippets from My Novel

Daffodils serenading the sun.
Daffodils serenading the sun.

“Sorrow prepares you for joy. It violently sweeps everything out of your house, so that new joy can find space to enter. It shakes the yellow leaves from the bough of your heart, so that fresh, green leaves can grow in their place. It pulls up the rotten roots, so that new roots hidden beneath have room to grow. Whatever sorrow shakes from your heart, far better things will take their place.” ~ Rumi

The above quote opens my novel, The Space Between Time. You might say it’s a theme of the book. Below is a very short segment from Chapter 3.

The Set-up: Jenna has had a life shattering week. She’s gone back to her childhood home to recover and regroup. This is a portion of the scene where she finds her three-times great-grandmother, Morgan’s, journals begins to read and starts an extraordinary journey of discovery.

“Just then Jenna felt a rush of energy swirl around her. As she looked at the attic walls trying to determine what was happening, fog obscured her vision. She felt as if she were shedding her body like she would a cloak. Within the span between breaths the scene changed in front of her and she found herself sitting in a rocking chair looking out at an early spring afternoon just like the one Morgan had described. Something about the atmosphere was different than her home – more than that, it smelled different. Wood smoke instead of gas fumes permeated the air.

She looked down at the hands that were resting on a sketch pad. They were not her hands, nor were the clothes hers. She was wearing a dress that she thought was from the Civil War era. After a few gut wrenching moments, Jenna realized she was not only in Morgan’s world, she was sharing Morgan’s consciousness.

Panic overtook her, and she hyperventilated, or she would have had she been in her own body. This was far different than seeing the spirits of her parents, or reading a bunch of old journals. I’m going to get stuck here! How do I get back? The moment she thought that, Jenna felt the grief that was washing over Morgan. Grief – that was something she could related to. As Morgan took a deep breath, calm settled on Jenna. As crazy as it seemed, somehow she felt she was going to be all right. Okay, I’ll just go with it. I can panic later. What else could she do but trust? Hard as it was to admit, that was something Jenna didn’t know how to do well. Her mind merged again with Morgan’s.

She, they, were sitting facing the window of Morgan’s father’s room, a forgotten sketch pad on Morgan’s lap with a half finished sketch of Morgan’s father, and the greening mountains beyond. The apple tree just outside the window dripped with leaf buds. The daffodils she, they had planted near the front gate serenaded the sun. It was warm. Children laughed and played on their way home from school. The ice wagon rolled by hurrying to finish the day’s deliveries. Across the lane Mrs. Gardener gossiped with Mrs. Webb about the new dry goods shop owner. Their voices were audible inside the sickroom.

Mrs. Gardner said, “I have it on good authority that Mr Krause’s wife left him. He moved to Rutland to start a new life and forget. It’s too bad that the truth came out. He seems like such a nice man.”

“Why should it make a difference?” asked Mrs. Webb. “She’s the one who left.”

“Well who can tell, maybe he beat her,” said Mrs. Gardner.

“We don’t know the whole truth of the matter, Gladys. So don’t spread that rumor,” said Mrs. Webb.

Bird song followed the women’s voices. The afternoon light streamed in the window illuminating the white curtains and bouncing off the mirror on the dressing table. The room glowed with warmth and light. Jenna saw it all while at the same time experiencing everything as if she were part of Morgan. It was a disquieting sensation. The charms of the spring day could not entice Morgan away from her grief. Jenna recognized those feelings. She’d felt the same way when her mother lay motionless on her hospital bed.

Looking at Morgan’s father, Jenna saw the same signs of life leaving his body that she’d seen in her mother that night only a couple of weeks ago. Fully in the past with Morgan now, Jenna shared her pain and tried to give comfort.

Thomas lay sleeping fitfully. The pain was worse each day and sleep eluded him most of the time. That morning the doctor, seeing Morgan’s strained and weary face, had given Thomas a large dose of laudanum to help him sleep and instructed her to increase the dose when he stirred. There was nothing else that could be done for him. This was the end and Morgan knew it.”

This little segment gives you an idea of the basic premise of the book. Jenna shifts between dealing with the challenges of her own life, while periodically visiting Morgan’s. Both women face difficult challenges and help each other along the way.

I’ll share another segment next week.

Remember this is a work in progress. Thanks for reading. Make a comment if you like and feel free to share with a friend.

Lucinda Sage-Midgorden © 2015

The Value of a True Friend

Pumpkin Possibilities
Pumpkin Possibilities

“Colleagues are a wonderful thing – but mentors, that’s where the real work gets done.” ~ Junot Diaz

“True friendship can afford true knowledge. It does not depend on darkness and ignorance.” ~ Henry David Thoreau

“I define friendship as a bond that transcends all barriers. When you are ready to expect anything and everything from friends, good bad or ugly … that’s what I call true friendship.” ~ Harbhajan Singh

“Walking with a friend in the dark is better than walking alone in the light.” ~ Helen Keller

I’ve got a terrific writer friend, or maybe she’s my mentor, who has read my manuscript more than once and tells it like it is. Last Friday I got her assessment back on the latest revisions and she wasn’t afraid to tell me I have more work to do. On the one hand, I’m sad when she tells me I need to do more work, on the other it’s a relief. It’s a relief to have a friend who knows exactly what I’m going through writing my first novel, and who doesn’t shy away from telling me what needs improving.

The first time she read my manuscript was in the spring. At that time she told me her story of sending what she thought was a finished manuscript off to a contest thinking she was going to win the prize, get an agent and have her book published by a traditional publisher. When she got the critique from one of the judges that she needed to do more work, she was devastated. “She told me things I didn’t want to hear but in the end her suggestions made the book better.” Right now I can relate to that. And I’m so glad that my friend is willing to do that for me. I could ignore her and publish my book now, but for some reason, that’s just not my style. I want it to be the best it can be.

The thing is, when artists mentor each other by giving honest critiques, there can be a hidden blessing in it. My friend told me my characters and story were good, from a new perspective, but it still needs more work. Thank heavens I don’t have to throw the entire thing out and start over again. I’m sure my friend would have been brutally honest and told me if I needed to do that. I’m not as courageous when giving critique. Or at least not with people I’ve only met online. I think bad news should be delivered in person.

About a year ago I had someone send me their manuscript so I could write a review of the book and post it to my blog. It was a romance novel, not one of my favorite genres, but I agreed. I could tell it was written by an amateur, like me. I think it may have even been a first draft. There were so many mistakes that I gave up reading it. I did learn a great deal from reading the manuscript, but I’m sorry to say I never sent any of my extensive corrections and comments back to the young writer. I was afraid if I did I would discourage her from ever writing another book. And continuing to write is one of the best ways we become better writers.

I’m sorry to say I was a coward. When I wrote the blog post about her book, I couldn’t in good conscience tell people to go buy it. So I couched everything I said about it in terms of what I’d learned from the experience of reading it for review. I have to thank that author for giving me a wakeup call about my own writing.

For those of you who are writers, I’m sure you know exactly how I’m feeling. I want to get my work out into the world. The long gestation period of birthing a novel can get tedious at times. The thing is the baby is born when its ready and not before. My baby isn’t ready to be born yet. I wish she were, but being impatient and rushing the process isn’t good. We don’t get a second chance to make a good first impression with readers. I’m not willing to rush my process just so I can say I’ve published a novel, or so I can sell some books. Nope. I’ll keep plugging away until my friend and I think the book is finished.

I’ll keep you posted about how it’s going. Perhaps I’ll include little snippets of my novel from time to time to get your take on how I’m doing. Creative and constructive criticism is always welcome.

Thanks for reading. Feel free to leave a comment or share with friends.

Lucinda Sage-Midgorden © 2015

How Do You Know When It’s Finished?

Approved by my readers
Approved by my readers

“The creative process is not like a situation where you get struck by a single lighting bolt. You have ongoing discoveries, and there’s ongoing creative revelations. Yes, it’s really helpful to be marching toward a specific destination, but, along the way, you must allow yourself room for your ideas to blossom, take root, and grow.” ~ Carlton Cuse

“The creative process is a process of surrender, not control.” ~ Julia Cameron

“Any creative process is about being in a territory which isn’t secure, isn’t necessarily familiar, and isn’t convenient in any sort of way. And that’s the excitement of it.” ~ Susanne Bier

“My most important piece of advice to all you would-be writers: When you write, try to leave out all the parts readers skip.” ~ Elmore Leonard, Elmore Leonard’s 10 Rules of Writing

When I first thought of writing this post, I was asking myself, “How in the heck will I know when my book is finished?” It’s been such a long time in coming. Years in fact. After so many revisions, so many I’ve lost count, I wonder if I will know when my manuscript is ready to publish.

Many authors think they are finished with their manuscript so they go through the long process of finding an agent, then a publisher, then there are more edits according to the advice of the publishers. No wonder so many people who think they want to write the next great American novel give up. You spend years writing and revising and then you will probably get rejection after rejection before, or if, someone decides they want to publish your book. And then it takes another year or two before its available in bookstores. I’m not sure I have that much time. After all, I’m a late bloomer. I didn’t begin writing until I was fifty-four years old. I’m now sixty-two. I don’t want to wait another two or three years to see my book published.

That’s why I’ve decided to publish my book myself instead of waiting until a publisher decides its worth their time. Maybe I’m crazy, but something inside tells me to follow my own instincts about every aspect of this process and not rely on the approval of other people. In any case, the way the publishing world has evolved, even a new writer backed by a traditional publisher, needs to have a following in place and they have to do much of the marketing themselves. So, why not self-publish? The process of publishing a book is fairly easy now days.

Even though I’ve decided to publish the book myself, I still have the question in my head, “How will I know when its finished?” This is what I think happens. There is a click in an artists head that tells him or her when their piece is complete. That doesn’t mean perfect, it just means that the work is as finished as the author’s abilities allow at that time. Nothing created is ever perfect, but there comes a point when any changes made to the painting, or the song, or the book are just changes. They don’t improve the piece.

I read a quote recently, I can’t remember where, that said something like, “An author writes the book, it’s the reader who attaches the meaning.” Since I believe that is true, it’s my job to finish telling the story that wants to be told and then send it out into the world. No one will be able to attach the meaning to it that I do because they didn’t live the experiences that brought the book into being. I just hope it touches people. That’s the most I can hope for. Writing this article has helped me see that my manuscript IS nearly finished. There may be a few more tweaks after my writer friends give me their comments, but my instincts tell me that I don’t need to make any more major changes. It’s as good as I can make it and that has to be good enough for me. I hope it’s good enough for my readers.

Thanks for reading. Feel free to leave a comment or share with a friend.

Lucinda Sage-Midgorden © 2015

Allowing the Stretch

Temporary Book Cover
Temporary Book Cover

“It’s what you learn after you know it all that counts.” ~ John Wooden

“Ever since I was a child I have had this instinctive urge for expansion and growth. To me, the function and duty of a quality human being is the sincere and honest development of one’s potential.” ~ Bruce Lee

“There’s no limit possible to the expansion of each of us.” ~ Charles Schwab

“My ambition comes from my passion: finding what I love and then expanding on that.” ~ Miranda Kerr

In general I love learning new things except when I don’t think I have a facility for it. Then I resist the lessons. I have this idea in my mind of my skill set and for the most part I don’t want to stretch past that. Most of us don’t want to do things we don’t think we’re good at. But sometimes we surprise ourselves if we try to learn something new.

When I became a full-time writer, all I wanted to do was concentrate on the writing. I didn’t want to think about the marketing and promotion that I was inevitably going to have to do when I published my books. I’m not a marketing genius, nor am I a good salesperson. The idea of peddling my book made me cringe.

Knowing that at some point I was going to have to address this issue, because I plan to self-publish, I would from time to time read how-to essays by artists and writers about the ins and outs of getting their work noticed by the general public. Unfortunately, after reading only a short portion of the book or article, my eyes would glass over and the pit of my stomach would sink. The experts I read said you have to be aggressive, you have to get your name out there, you have to talk about your work on social media, you have to push, push, push. Ugh. I hated it.

I’m an introvert. I don’t want to do blast marketing where every hour a tweet or post screams at people to go buy my book. That’s just not me. It seemed to me that most marketing and promotion wisdom is created by extroverts who have no problem tooting their own horn. I have a difficult time doing that. But the problem of how to market my book kept nagging at me. I knew I needed to come up with a plan but what?

So, I meditated and prayed about the problem. I hoped that providence would send me a new way to promote myself and my work that wouldn’t feel awful. I was just beginning to despair when Hay House sent me an email about Jeff Walker, with an internet marketing scheme that intrigued me. His business is called the Product Launch Formula (trademark). I watched the first video and was surprised that he gave so much great information about how to market anything I might want to sell but, as he said in the video, not is a sleazy or used car salesman kind of way. A few days later another email with a video link came and a few days another. By the time I’d watched the three videos I had the outline of how to market my book in a way that fits who I am.

Jeff is all about giving good value to your prospect ahead of time and asking for their advice and comments. If you can get to know the people who are interested in what you have to offer, it’s easier to promote your product. I loved that! Unfortunately I wasn’t able to sign up for his six month course this time. But when I was poking around his site I discovered he had written a book (Launch) that contains the information I needed to get started. I bought it that very day and have since read it. As I read, all kinds of great ideas of how to promote my work popped into my mind. This method was exactly what I needed. Because of this book I feel like I can be an expert at building a list of followers without coercing them to buy. That’s something I didn’t ever think I’d be able to do.

Before the Jeff Walker videos, I couldn’t imagine how I was going to build a list of followers. Part of my mind was closed. I didn’t want to have to market my books myself. Couldn’t I just have someone do it for me? However, the reality for authors today is that you’ve got to be actively engaged with your readers or potential readers even if your book is published in the conventional way. There are so many books being published, that it’s hard for new authors to get noticed and to gain a following. Jeff suggests you begin by using your email list to grow your customer base. You can start small by directing potential customers to an opt in page and you can also use word of mouth to attract new followers. I love that!

Even before learning about Jeff Walker, I made it a practice to avoid the best seller lists and read books by authors who aren’t as well known. If I like their book, I write a review on Amazon, iBooks, and/or Goodreads so that hopefully the author will expand their readership. Already I’ve made some online writer friends because I’ve written reviews, or retweeted the link to their book. It’s amazing how many new people I’ve met using this method.

Maybe I’ll coin a new phrase, “Karma Marketing,” in which helping others be successful will help me be successful too. That’s what Jeff Walker advocates. As you start your business, you make connections with people who resonate with you, and you support each other. He uses the term Mastermind Group, which is more than just a networking group. In your mastermind group, you hold each other accountable for improving your business by offering new products or services that your customers or fan base can use. Always give more value than they expect. It’s a new trend in business to be of service, rather than bilk your customers by selling inferior products and getting top dollar for those products. That’s something I can get behind.

Of course building a fan base takes time and effort, but it’s effort I’m willing to make if I can offer my readers something they will enjoy. Something extra I’ve created just for them. When I do this I may make some friends along the way. That’s always a good thing. Now I can breathe a sigh of relief. Finally someone who thinks like I do, and who is willing to help me build a business that is people friendly.

I’m going to do a little bit of word of mouth promotion for Jeff. If you buy his book, Launch, you get a step by step process that will help you begin your business, and access to a resource page with videos and instructions on how to do some of the technical stuff that an online business requires. This is what makes me excited. I won’t be alone as I step outside my comfort zone and stretch into learning a new but vital skill I will need to help me grow my fan base. Thanks Jeff and thanks Providence!

Feel free to leave a comment and thanks for reading.

Lucinda Sage-Midgorden © 2015